Ruby Revue featuring 2012 King of Burlesque, Russell Bruner

Interview with Andy Silvers on Dieselpunks.org

I recently had the opportunity to interview photographer Andy Silvers for Dieselpunks.org. His work has been posted here before and I thought the interview would be of interest to the followers of this blog. Enjoy! Cap'n...
http://www.dieselpunks.org/profiles/blogs/dieselpunks-interview-photographic-artist-andy-silvers

Dieselpunk Photo Shoot

We’re proud to post a set of erotic photographs featuring dieselpunk dancer, model and a co-host of the Diesel Powered Podcast Ava Dahl taken with Gwendolyn Sweet. The photographer is Craig Evensen of pulpretro.com. You can visit Eversen's web store here.

 

Lab teching my way through striptease school: Ruby Revue Pink Panthers Invade the House of Blues

Still catching up on entries here, but I got this one done just in time for the next Ruby Revue shows– tonight at 8:30 PM and 11 PM.  I won’t be at the shows, but that doesn’t mean you have to miss out. ^_~  Last month, I had the chance to perform with them as a member of Ginger Valentine’s Advanced Burlesque Tease class.  Now I admit that I partly elected to that this upper-level class for the chance to perform in their July show.  The limelight is addicting, especially when you are doing something you seriously love.  I did want a more challenging class though, and that’s what I got.

By Burles Co. Photography
www.facebook.com/burlescophotography

Our routine was set to a jazzy version of the Pink Panther theme.  The choreography wasn’t too difficult, but we only had a month to learn it and there were some quick glove peels.  I was so worried that I wasn’t going to master one of them that I must have practiced 50 times.  Getting better gloves that didn’t threaten to rip (and then actually do so) when I tugged on the fingers helped immensely.  Because I focused on the moves, I didn’t really have much time to work on facial expressions.  In my head, sexy equals not smiling or half smiling because a big grin makes my eyes small and overall look too cute (and I hate being called “cute”).

With my costume, I truly lucked out minus the realization that Electrique Boutique was closed on Sundays and having to use my lunch break to get the gloves .  The Burlesque Experience held a garage sale a week before the show, and I wound up getting a faux leather corseted top.  At first I was afraid it wouldn’t go with the classic burlesque look that Ruby Revue is generally known for, but I discovered that a leather-and-lace theme with pin-up style hair and make-up worked very well.  Furthermore, Carmen St. Cloud loaned me some leopard print accessories to add color (and a surprise) to my outfit.  If there was one thing I could change, it would be my robe, which I won from the Victoria’s Secret Fashion Show Giveaway earlier in the year.  Luckily we didn’t keep the robes on for long so the logo wasn’t in everyone’s faces.  Plus it provided even more color and sparkle.

By Karlo X. Ramos
www.karloxramos.com

Although I was getting better at doing my make-up, my rigid gas permeable contacts decided to hurt really badly and ruin what I had done half an hour before call time.  This always seems to happen before a show, which makes me run late.  Maybe next time I should double the amount of time I set aside for getting ready.  Renee Holiday had recommended getting a false eyelash set that included an applicator.  That definitely helped as I was practicing, but in the end, I still needed to adjust the lashes by hand.  I was happy that I got them on by myself for the first time.

I wound up doing double duty as performer and stage kitten.  My experience with being involved in an act at Clever Girl Cabaret while stage kittening gave me the confidence to figure in a costume change between picking up.  When we rehearsed on the stage, I realized that I had to be super cognizant of space and where I tossed my costume pieces.  Everything went smoothly, but I was still intimidated by all the lights and the audience being so close.  It was really thrilling, and I guess I got caught in the moment because suddenly we finished the routine.

Normally I’m too much of an awkward turtle to stay at the after-party for very long, but I figured it was appropriate to engage in the tradition of a stripper’s breakfast with my teachers, classmates, and sempai (I can’t think of a better English word that “seniors” which sounds a little odd).  We went to Pop Diner, a quirky restaurant/bar with 80s pop culture references everywhere and free arcade games.  I wish I had talked more, but I was tired and had exhausted all my anti-shyness fuel.  Nevertheless, it was a wonderful way cap off a successful (and sold-out!) show, plus a great learning experience.

By Marleana Mahoozi

Flapper circa 1920s

Diesel Era Nude (date unknown)

A burlesque-inspired Advice from Stu

Once upon a time (okay, one and half years ago), before I was Hana Li, I was just a huge burlesque fan who decided to drag her friends to a show on her birthday.  One of them is a writer, and he had been working on a series called Advice on Stu.  The experience inspired a piece titled "Don’t bother masturbating before the burlesque show, because it won’t make a difference".  Here's an excerpt:

So for years, I’ve felt that my erections, random or otherwise, have been either embarrassing or gross. Therefore, when I found out I was going to a burlesque show for a friend’s birthday, I was worried. With all those almost naked chicks running around, I was terrified that I was going to pop wood at an inopportune moment and ruin her birthday by being a little too excited.
So, I did what I thought was best. I figured if I jerked it right before leaving for the burlesque show, I wouldn’t really be that aroused during the show. So…there you go.

LATER, AT THE BURLESQUE SHOW…

I’m sitting (in the dark) while a punkish looking chick with red hair (I love redheads) danced around in nothing but a G string and those little sticky things that cover their nipples up (because nipples are the most offensive thing ever…). I just sat there, minding my own business and watching the show, when…

Yes, I'm the friend.  No, those events didn't happen, and he's not writing about a specific dancer (though you can see his muses here).  I always love it when burlesque makes cameos into modern works.  You can read Stuart Stutzman's latest fiction at Rogue Group Writing.