Dieselpunk: Because Steam Wasn't Dirty Enough!
Wednesday, April 30, 2014
Saturday, April 26, 2014
Sunday, April 20, 2014
Lab teching my way through striptease school: A Clotheless Homecoming
Panty Raid will always hold a special place in my heart, and not just because it was
the setting for my bust-out. The
producers/Academy of Queerlesque teachers created an atmosphere that made me
feel as though burlesque really did have a place for me as a performer. Therefore, when Lily Lovely offered the
opportunity to perform my comic book girl number in their "Crimson and Clothesless" show, my answer was a resounding
"Hell yes!". Actually I had a
more subdued response, but I was stoked at another chance to do my routine.
Johnny Genevive and Ashley Boucher |
On
the bright side, The Companion and two of our friends were going to be
there. Going out to dinner helped to
clear my mind a bit. Unfortunately that
also led to me being late due to underestimating driving time. I got to Sue Ellen's with enough time to get
ready and check in on my friends.
Despite the welcoming environment, I still worried that they, three
straight guys (two of whom aren't involved with burlesque in any way), would
feel out of place. It turned out that my
worries were all for naught because Johnny Genevieve, who was also performing
in the show, took the time to chat with them.
I
didn't want to spoil the key part of my costume, but I also wanted to see the
other acts, particularly Jerry Fedora's infamous Darth Gaga number so I wound
up hiding in the corner by Luscious Peach Boutique's stall. I enjoyed being among familiar faces and
seeing performers—some burlesque, some not— I didn't know. Pretty soon, it was my turn.
Minxie Molotov |
"Crimson
and Clothesless" was a super fun show. I
really appreciate the fact that Lily wanted me to be a part of it and that my
friends came out of their element to show their support. Doing Panty Raid again felt like a
homecoming. Even though I didn't know
many fellow performers this time and the first time, I always got the sense
that anybody who is part of the queer community or an ally can belong (which is
ironic considering that I used to fear not being queer enough to participate in
such events). Upon leaving Sue Ellen's,
I reminded myself that I needed to visit more because it's a great place and I
want to be part of the support network that helped me get off my feet.
post-show selfie |
Saturday, April 19, 2014
Thursday, April 17, 2014
Saturday, April 12, 2014
Thursday, April 10, 2014
Sunday, April 6, 2014
Lab teching my way through stripper school: Dallas Burlesque Festival '14 Night 3
The
big DBF show was Saturday night, but I was already busy during the day. The Ruby Room hosted workshop from some of
the festival's performers.
Unfortunately, being car-less in a city with less than ideal public
transport options and a stage kitten for that night, I could only pick one to
attend. I chose Gloves & Stockings,
Basics and Beyond! with Midnite Martini.
Paco Fish's mention of her in his essay, "On Innovation and Creativity", had sparked my interest, which was further bolstered by the
videos I found on-line. Plus I was
already thinking of ways to switch up my stocking (or sock) removals.
I
have to admit that I was a little intimidated by Midnite Martini's bold
personality because I'm the exact opposite.
Maybe that was what I needed to start experimenting a bit more. The class was super fun, and everybody had a
good laugh over the ideas generated. I
think I was a bit hungry at one point because I started listing food-related
items. After the brainstorming session,
we played around with removing gloves and stockings in unusual ways. Midnite encouraged us to just go for the
wildest idea even if it didn't work out.
At one point, I focused on taking a stocking off with my other foot
while stretching my legs into a split, no awareness of the rest of my
body. The casual vibe I unconsciously
gave off worked, and everybody loved it.
I'm such an overthinker that this little bit of positive feedback was
refreshing.
I got home in time to pack my things, put in my contacts, and make a sandwich to go. This weekend has tested my on-the-bus make-up application skills, which have been steadily improving in the past year. When I got to the House of Blues' main stage, I was caught off guard by how big it was from a performer's point of view. The task of being in the right place was daunting, but with four of us working backstage, I think everybody got the help they needed.
Before the show, I took the time to introduce myself to Calamity Chang. She's a dancer I will unapologetically fangirl over because she was the first Asian burlesque dancer I found on-line (incidentally it was a picture of the last time she was at DBF). Seeing her picture got the gears turning in my head about possibly doing burlesque, and her Asiance article about navigating body image and sexuality as a well-endowed Asian girl was something I could relate to and inspired me to start looking at myself differently. I also told her how much I loved her signature RED Burlesque lipstick especially since I've struggled to find the perfect red to work with my skintone.
All
of the performers throughout the weekend have been spectacular, and I feel like
every time I kitten, I experience something new. I got to see Eva Strangelove and Justin F.
Credible's bullwhip tango act up close in the wings, and it was both exciting
and a little scary. Of course, it was an
honor— and a riot—to be backstage with Dallas' legendary Tammi True. She has not lost a bit of that sassiness. Unfortunately I didn't get to talk to our
special guest, Claire Sinclair, beyond checking up on what she needed, but we
did bump butts and dance during one of the musical numbers backstage. Despite the hectic rush, there was still fun
to be had behind the curtain.
The
Companion had come to the show directly after a video game tournament so he
dozed off somewhere in the after-party while I tried to mingle. We discovered that Pelvis Costello knew what
Project M was (a Smash Brothers mod and what The Companion was playing), which
made both of us happy. Because I know what it's like to feel out of
place in a crowd, I’m always overly conscious of accidentally ditching my date
and boring him. At a certain point,
MayMay and I tried to find people to get food, but it wasn't until last call
that we officially decided to head out.
That led to a hilarious attempt at finding the parking lot (drunk people + tired Companion + directionally challenged Hana = no idea where's the exit). Thankfully Donna Denise led us out, and
after divvying the passengers up, we invaded a taqueria that Femme Vivre La
Rouge and Dr. Q recommended with in all our glittery glory. It was late so once everybody was done
eating, we decided to call it a night.
My Dallas Burlesque Festival experience was one of the best weekend of my life. I made my solo debut and had a blast kittening the other nights and hanging out with fellow performers. Even though I know that burlesque, like everything else in life, is not all sunshine and butterflies (despite the glitter), I rode that high for weeks afterward. I'm proud of myself and I hope to continue to work hard for weekends like DBF. Thank you to the producers for giving me the opportunity to strut my stuff and help out, my teachers for giving me the tools for my solo routine, and everybody who has supported me at the festival and the journey there.
Here are the previous nights' recaps: Night 1 and Night 2.
More photos can be found on my facebook page.
For those of you who didn't get to see the routine, here's the video by Michael Sauer. It's much better live though so keep an eye out for show annoucements!
dbf14 day 1 hana li from Ruby Revue on Vimeo.
Photo by Renee Holiday http://instagram.com/reneeholiday1 |
I got home in time to pack my things, put in my contacts, and make a sandwich to go. This weekend has tested my on-the-bus make-up application skills, which have been steadily improving in the past year. When I got to the House of Blues' main stage, I was caught off guard by how big it was from a performer's point of view. The task of being in the right place was daunting, but with four of us working backstage, I think everybody got the help they needed.
Before the show, I took the time to introduce myself to Calamity Chang. She's a dancer I will unapologetically fangirl over because she was the first Asian burlesque dancer I found on-line (incidentally it was a picture of the last time she was at DBF). Seeing her picture got the gears turning in my head about possibly doing burlesque, and her Asiance article about navigating body image and sexuality as a well-endowed Asian girl was something I could relate to and inspired me to start looking at myself differently. I also told her how much I loved her signature RED Burlesque lipstick especially since I've struggled to find the perfect red to work with my skintone.
me and Calamity Chang - Taiwan represent! |
with my fellow stage kitten Penny Ruffles |
My Dallas Burlesque Festival experience was one of the best weekend of my life. I made my solo debut and had a blast kittening the other nights and hanging out with fellow performers. Even though I know that burlesque, like everything else in life, is not all sunshine and butterflies (despite the glitter), I rode that high for weeks afterward. I'm proud of myself and I hope to continue to work hard for weekends like DBF. Thank you to the producers for giving me the opportunity to strut my stuff and help out, my teachers for giving me the tools for my solo routine, and everybody who has supported me at the festival and the journey there.
Here are the previous nights' recaps: Night 1 and Night 2.
More photos can be found on my facebook page.
For those of you who didn't get to see the routine, here's the video by Michael Sauer. It's much better live though so keep an eye out for show annoucements!
dbf14 day 1 hana li from Ruby Revue on Vimeo.
Saturday, April 5, 2014
Wednesday, April 2, 2014
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